Най-голямото кюфте в света

Is there still a need of showing a film, or is it enough to get together a bunch of actors in the showroom, diligently acting as an audience? Does modern cinema need an audience, or you can place the showroom on the screen and create a drama in the showroom itself?
　　Or just to transfer the fragmentary images of the real audience on the screen through a mobile camera... No, this is just an extravagant contemporary project, a game in the non-spectacular mode, for cinema, after all, is essentially a story told from the screen - an archetypal, trivial, full of cliches, but, nevertheless, a story...
　　"The Biggest Meatball In The World" is an example of nearly classical in its structure, traditionally referential in its postmodern status, polystylistic, and metaphorical cinema...
　　Such films you can find a million, and the only difference here is the "artisation" of the history of modern art, i.e. this is a story about contemporary art tendencies in the language of these same art tendencies.
　　And, of course, this is a film coming from the Eastern, the post-communist block, so it is also about the impossibility for the East to acquire the art language of the West, the ever existing problem of communication between the blind and the deaf.