剧情介绍
这部快节奏的纪录片跟随加拿大独立新闻工作者杰斯·罗森菲尔德穿梭于战火纷飞的中东,那里已经成为他工作的焦点。他向我们展示了当地棘手的地缘政治现实,并探讨了互联网时代的新闻实践将如何发生变化。 从埃及,路经以色列、巴勒斯坦和埃及,到土耳其和伊拉克,导演思考在新时代中新闻工作者的改变和意义。伴随杰斯寻找真相的过程,战地记者这部影片强调了独立新闻的重要性——在这样一个经常依赖于新闻发行的媒体环境下不害怕探索故事内核的记者。
"Canadian freelance reporter Jesse Rosenfeld has made the Middle East the focus of his work, and to make a living he has to keep up with constantly moving news targets. Freelancer on the Front Lines follows his journey across the region, showing us thorny geopolitical realities shaped by the events transforming the Middle East and exploring how journalism practices have changed in the age of the Internet.
Accompanying Jesse in his quest for truth, Freelancer on the Front Lines highlights the importance of independent news—journalists who aren't afraid to get to the heart of a story in a media landscape that too often relies on press releases and spin."
"Canadian freelance reporter Jesse Rosenfeld has made the Middle East the focus of his work, and to make a living he has to keep up with constantly moving news targets. Freelancer on the Front Lines follows his journey across the region, showing us thorny geopolitical realities shaped by the events transforming the Middle East and exploring how journalism practices have changed in the age of the Internet.
Accompanying Jesse in his quest for truth, Freelancer on the Front Lines highlights the importance of independent news—journalists who aren't afraid to get to the heart of a story in a media landscape that too often relies on press releases and spin."
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开心比烦恼多
冷静克制,对比the post更多的平和,毕竟电影需要戏剧张力而纪录片不用,记者最后一句“如果我所做的没有引发人们的去做点什么,那我所做的工作就是无意义了”。生而为人,我们都有所亏欠。
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2020年12月27日
偏振镜
可能是限于题材敏感,资源难求,导演有想法却没办法更好的表达出来。但是确实,我们没办法接触到那个世界的事情,唯有这样的形式,将我们想象中的那个世界的真是模样还原,带我们抵达真实。记者最后说“如果我的读者只是看看,而不做些什么,那我觉得我的报道是没有意义的。”愿我们都能勇敢发声。
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2020年12月27日
????
打分的话也就大概两星,没有呈现一处战争场面,甚至没有开过枪,只有暴力之后的破败惨相,这同时也暴露了素材的极度匮乏,内容十分空洞,既没有可供分类讨论的话题,也没有策略性的编排,记者在被摄主题和引导者之间毫无逻辑的转换,让人完全弄不清到底想要记者的工作状态和所遇阻碍,还是要讨论战争。
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2020年12月27日