剧情介绍
After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 with "Femina", based on a novel by Krystyna Kofta and inspired by Luis Bunuel.
The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.
As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.
As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
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法厄同
食物的隐喻能邪恶得如此动人。 修女一定要吃鸡蛋吗?为什么不能反过来?
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2020年12月27日
pnls
看不懂正治隐喻,观感还是不错的。想看有没有谁解释一下。
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2020年12月27日
Godegg
一个女人的性困惑。童年埋下的伤口,人人都是刽子手。包括她的母亲,冷漠地把她送入男权世界的亵玩之手。每个女性都能从这个故事里看到自己。少女时被意味不明的目光所注视,成年后不被女性视为女性的痛苦,那些来自陌生人的目光永远性意味十足。想要被看见自己,可无法越过女性的身份。性之于女性,是痛苦还是愉悦。她挣扎于女性的身份,也享受女性美好的部分;她发现了自己的力量,背叛丈夫是掌控自己的第一步。和陌生人做爱,探求欲望本能,迎接人性里肮脏丑陋的部分,她终于接受了这个不完美的世界,从那些目光里脱离出来,昂首阔步、清晰地知道自己的强大之处,她不会再被过去所伤。“那个时候的我是那么纯洁啊。”人类是肮脏下流且快乐的。
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2020年12月27日