狗吃狗

狗吃狗

年份:2008

地区:哥伦比亚

上映:2008-03-12

评分:6.7 分

播放:5 次

更新:2018年10月14日

导演:Carlos Moreno

编剧:Carlos Moreno|Alonso Torres

主演:óscar Borda

分类:惊悚

哥伦比亚版的“低俗小说”,对卡利地下黑社会世界最震撼人心的描绘。今年圣丹斯电影节国际单元最佳故事片提名。
  From director Carlos Moreno comes a tale of two hoods in Columbia who decide to break an unwritten code by taking their bosses money. They sign their own death warrant in doing so. Perro Come Perro is part of the World Cinema Dramatic Competition this year and looks like it will be a great crime drama. Trailer link and film homepage after the break.In the crime world of Colombia, there is an unwritten code. When Víctor and Eusebio, two hoods who bungle a shake-down job, break that code, they unwittingly sign their own death sentence.
  The Latin American Pulp Fiction! This movie is great. It uses violence as a simple vehicle to tell a very smart story completely filled of amazing dark humor and full of cultural references. The "Sierra" character could not be funnier and the soundtrack is full of a very cool Latin vibe (I love the title song "Perro come Perro" by local band Superlitio). I hope they did a good job with the subtitles for the non-Spanish speaking market (I will have to wait for the DVD to check it out by myself) but I guarantee an amazing experience if you speak Spanish and count Pulp fiction and Reservoir dogs between your favorite movies. I do and I definitely had a blast.
  Terrific portrait of Cali's underworld. This is an accurate while though portrait of crime underworld in Cali (second biggest Colombian city), plenty of a dark sense of humor and local culture elements such as witchery, drug traffic, poverty, and a very interesting atmosphere of salsa and African American music.
  It is remarkable the photography direction, specially the coloring and texture of all movie, which emphasizes the feeling of permanent heat (Cali is a tropical place). Oh, and the FX work is very convincing. If you have a lot of gunshots, you will need a lot of fake blood, right? Well, in this film every gun fire sequence is very well played without making you get out of focus of main plot.
  Main characters are played in a very convincing way with a very local taste, but in the end of the film you get the feeling of having witnessed events that could happen at the darkest corners of any city in the world.
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左胸上的吸盘

什么东西,黑社会找笔钱,真拿钱的装没事也帮忙找,就他妈三个人的事,摄影机晃来晃去晃了100分钟

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萬和生

这个应该翻译成“狗咬狗”才对。狗咬狗,一嘴毛,在暴力至上的世界里,只有暴力者最强制胜,但这部片子告诉我们,暴力最强者没有唯一。这里的那位苦苦寻找“阿黛拉”的流泪巨人最具喜感,出现的也是时候,算是通篇苦涩调子的一抹戏谑音符。

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kindsos

这个犯罪片的节奏就像弗拉明戈的吉他或者探戈。。那样的社会里,生命的价值变得如此不值一提(看看我们自己吧)《盲井》之类。。当他用电锯伸进“双胞胎”头颅的时候,那一刻这些表面冷血的家伙才在脸上闪现了一丝丝人性。。。

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