剧情介绍
Australia's Tony Krawitz (Jewboy, The Tall Man) directs the adaptation of The Slap author Christos Tsiolkas' award-winning novel in this searing film about history, guilt and secrets.
Ewen Leslie delivers a great performance as photographer Isaac, whose father's death in suburban Sydney reveals the schism in his family and prompts a return to the ancestral homeland.
On a trip to his parent's village in Greece, he learns something of his father's cursed history.
At first he dismisses the revelation as superstitious nonsense, but over the course of his travels - from Greece to Paris to Budapest - Isaac is forced to confront the anti-Semitism of the past, the embedded bigotry in the bones of Europe and the nature of inherited guilt.
It is on this fateful trip that Isaac will learn the truth of his family's migration to Australia, their refusal to ever return to Greece, and the burden he continues to bear as a consequence of acts committed years before his birth.
Krawitz sensitively depicts this clash of mythology and a very contemporary reality in this daring and enigmatic film populated by spirits and outcasts.
Ewen Leslie delivers a great performance as photographer Isaac, whose father's death in suburban Sydney reveals the schism in his family and prompts a return to the ancestral homeland.
On a trip to his parent's village in Greece, he learns something of his father's cursed history.
At first he dismisses the revelation as superstitious nonsense, but over the course of his travels - from Greece to Paris to Budapest - Isaac is forced to confront the anti-Semitism of the past, the embedded bigotry in the bones of Europe and the nature of inherited guilt.
It is on this fateful trip that Isaac will learn the truth of his family's migration to Australia, their refusal to ever return to Greece, and the burden he continues to bear as a consequence of acts committed years before his birth.
Krawitz sensitively depicts this clash of mythology and a very contemporary reality in this daring and enigmatic film populated by spirits and outcasts.
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酸梅汤汽水
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2020年12月27日
阿文
那个鬼魅的孩子,我以为只是昔日阴影的一种隐喻,所以没懂最后他怎么可以拿着男主的钱包;电影布达佩斯的片段展示了欧洲地下色情业的一角,看着也令人毛骨悚然,其他的表达混乱,好像导演也吸毒了处于一片混乱之中一样!
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2020年12月27日
搵岑荷
雷。外焦里嫩。
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2020年12月27日