剧情介绍
These days, nobody takes Rubens seriously. His vast and grandiose canvases, stuffed with wobbly mounds of female flesh, have little appeal for the modern gym-subscriber. And it's not just the bulging nudity we don't like. The entire tone of Rubens's art offends us. Everything in it is too big - the epic dramas full of tragedy, the fantastical celestial scenery, the immense canvases and murals adorning the walls and ceilings of Europe's grandest palaces. All of it seems too much for modern sensibilities.
But Waldemar Januszczak begs to differ. In Waldemar's eyes, Rubens has been traduced by modern tastes, and a huge misunderstanding of him has taken place. By looking in detail at Rubens's fascinating life, by understanding his art in more enlightened ways, Waldemar sets out to correct the extra-large misconceptions that have arisen about Rubens.
But Waldemar Januszczak begs to differ. In Waldemar's eyes, Rubens has been traduced by modern tastes, and a huge misunderstanding of him has taken place. By looking in detail at Rubens's fascinating life, by understanding his art in more enlightened ways, Waldemar sets out to correct the extra-large misconceptions that have arisen about Rubens.
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GARGOYLE
背景知识很有意思~Medici简直是文艺复兴的Guggenheim,Ruben多才技高又好玩儿。外交官中画画最好的,画家中cosplay玩儿的最肉欲的 &&默默mark一下Antwerp~
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2020年12月27日
卡
每次看完就好想出去玩
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2020年12月27日
乐直
鲁本斯,多肉画家。。。终于有了一个要去安特卫普的好理由。
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2020年12月27日