We Make Couples
年份：2016
地区：加拿大
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评分：0.0 分
播放：6 次
更新：2020年08月16日
导演：Mike Hoolboom
编剧：
主演：
分类：纪录片
剧情介绍
-SYNOPSIS: Featuring guest appearances from Suffragettes, Pussy Riot protesters, a runaway goat, two poodles, Mos Def, Frankenstein and cinema’s first kiss, We Make Couples draws fresh geometries of relationship.
-A multi-layered reflection intertwining types of domestic skirmishes with the ones we have within society. It relies on a number of central themes, such as the depictions of faces, touches, projection, or exploding light. It formulates arguments about production (relationships), forms of resistance (against restrictions), systems for organizing the way we see things (ourselves and each other), about ways we project (ourselves to others), about personal and industrial relationships, expressions of beauty (and politics) in an age when “intensity is more important than endurance”. Using montage and rhythmically brilliant collage essays, the filmmaker combines found and his own materials.
-Mike Hoolboom (1959) is a leading figure of Canadian experimental filmmaking. He worked for the distribution company CFMDC and as the artistic director of the Images festival. He is the author of a novel and a number of books on experimental cinematography. In his personal and essay films, he works primarily with “stolen footage”. His films appear regularly at the Jihlava IDFF - in 2003 a retrospective of his work was held.
-A multi-layered reflection intertwining types of domestic skirmishes with the ones we have within society. It relies on a number of central themes, such as the depictions of faces, touches, projection, or exploding light. It formulates arguments about production (relationships), forms of resistance (against restrictions), systems for organizing the way we see things (ourselves and each other), about ways we project (ourselves to others), about personal and industrial relationships, expressions of beauty (and politics) in an age when “intensity is more important than endurance”. Using montage and rhythmically brilliant collage essays, the filmmaker combines found and his own materials.
-Mike Hoolboom (1959) is a leading figure of Canadian experimental filmmaking. He worked for the distribution company CFMDC and as the artistic director of the Images festival. He is the author of a novel and a number of books on experimental cinematography. In his personal and essay films, he works primarily with “stolen footage”. His films appear regularly at the Jihlava IDFF - in 2003 a retrospective of his work was held.
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