剧情介绍
DJ Spooky's "Rebirth of a Nation" is a film project based on a remix of D.W. Griffith's infamous 1915 film "Birth of a Nation." The original film was based on a novel and theater play by Thomas Dixon entitled "The Clansman" -- essentially what DJ Spooky is doing is applying DJ technique to cinema in a way that parallels, deconstructs and remixes the original. Thus "Rebirth of a Nation." DJ Spooky's "Rebirth of a Nation" has been touring for several years and has drawn acclaim around the world. From the Herod Atticus Theater at the base of the Acropolis in Greece, to the London IMAX - Europe's largest movie screen -- DJ Spooky has presented the remix as an engagement with film, music, and contemporary art. He likes to think of it as "film as found object" in the same sense that artists such as Marcel Duchamp, Jeff Koons, Andy Warhol, and David Hammons, amongst many others, have fostered creative investigations into the idea of found objects, cinema, and "appropriation art."
http://www.rebirthof anation.com/
“Silent film scores were grandiloquent, meant to heighten what we saw on screen. Mr. Miller's score, by contrast, deflects our responses, then alters them. A hip-hop drum beat pulses. (It sounds African and urban American.) A wash of industrial sound is joined by bells and cymbals; a dissonant violin; blues fragments. These are the sounds of history and racial complexity that Griffith tried to suppress. ”
– Margo Jefferson, New York Times, July 8, 2005
http://www.rebirthof
“Silent film scores were grandiloquent, meant to heighten what we saw on screen. Mr. Miller's score, by contrast, deflects our responses, then alters them. A hip-hop drum beat pulses. (It sounds African and urban American.) A wash of industrial sound is joined by bells and cymbals; a dissonant violin; blues fragments. These are the sounds of history and racial complexity that Griffith tried to suppress. ”
– Margo Jefferson, New York Times, July 8, 2005
我要评论
登录后参与评论