剧情介绍
In 1998, seven years after the independence of the country, autocratic president Kazakh Noursoultan Nazarbaiev decides to move the capital of Almaty to Astana, the barren plains of the north. Vertiginous towers of glass rise above ground, financed by oil exports. A presidential speech in 1997 on the future of Kazakhstan opens the film, praising the “three social levels, the rich, the middle class and the poor”, and the infinite promises of the market.
Christian Barani and Guillaume Reynard see the birth of a new social level, in the standardized tinsel and foil of richness. Attempting to represent “the fiction which in each scene seems to have preceded reality”, until a change of scene by writer Darejan Omirbaev, they also venture backstage, a hut on a site of a recently expropriated maisonnette. A portrait of a melancholic person and poetic globalization through the ex-Soviet oligarchy, in full expansion.
Christian Barani and Guillaume Reynard see the birth of a new social level, in the standardized tinsel and foil of richness. Attempting to represent “the fiction which in each scene seems to have preceded reality”, until a change of scene by writer Darejan Omirbaev, they also venture backstage, a hut on a site of a recently expropriated maisonnette. A portrait of a melancholic person and poetic globalization through the ex-Soviet oligarchy, in full expansion.
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熊仔俠
哈薩克斯坦的上中下流社會在導演大無私樣的鏡頭下顯得分外真實而突兀。一個國家的誕生意味著什麽?那就是后蘇聯時代的新君主制和首都制式的權威寡頭資本階層。最後一段突入了哈國著名導演Darezhan Omirbayev的執拍現場。一切是如夢初醒,還是本該如斯呢?
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2020年12月27日
堆山
哈萨克
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2020年12月27日