民主德國
年份：2008
地区：美国
上映：2008
评分：0.0 分
播放：41 次
更新：2018年11月29日
导演：Amie Siegel
编剧：
主演：
分类：纪录片
剧情介绍
DDR/DDR
2008, HD, 135 min., colour/sound
One in a series “ciné-constellations,” feature-length associative visual essays. Dream-like and propositional, works in this series mirror shared concerns of voyeurism, psychoanalysis, memory, surveillance and modernist architecture. These films engage in a self-reflexive inquiry into non-fiction film practices, including objectivity, authority and performance.
"[DDR/DDR] is a mosaic of interviews and incidents that gradually connect, allowing issues of history, state control, personal identity, and memory to emerge. A man walking across streets and fields as if on a tightrope is a recurring motif—an apt metaphor for the East-West divide. The camera moves through derelict East German buildings and records a man throwing Stasi-style electronic equipment from a moving truck; East German emulators of American Indian culture explain that their hobby began as a clandestine cry for freedom from Soviet oppression. The sociocultural theme is complicated, however, by a former East German mother who reminisces about her family's more comfortable life before reunification. The ruminating psychological and intellectual content of Siegel's works posits that everything is subject to shifting interpretation."
—Jason Edward Kaufman
2008, HD, 135 min., colour/sound
One in a series “ciné-constellations,” feature-length associative visual essays. Dream-like and propositional, works in this series mirror shared concerns of voyeurism, psychoanalysis, memory, surveillance and modernist architecture. These films engage in a self-reflexive inquiry into non-fiction film practices, including objectivity, authority and performance.
"[DDR/DDR] is a mosaic of interviews and incidents that gradually connect, allowing issues of history, state control, personal identity, and memory to emerge. A man walking across streets and fields as if on a tightrope is a recurring motif—an apt metaphor for the East-West divide. The camera moves through derelict East German buildings and records a man throwing Stasi-style electronic equipment from a moving truck; East German emulators of American Indian culture explain that their hobby began as a clandestine cry for freedom from Soviet oppression. The sociocultural theme is complicated, however, by a former East German mother who reminisces about her family's more comfortable life before reunification. The ruminating psychological and intellectual content of Siegel's works posits that everything is subject to shifting interpretation."
—Jason Edward Kaufman
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