剧情介绍
Professor Bettany Hughes investigates the story of Bacchus, god of wine, revelry, theatre and excess, travelling to Georgia, Jordan, Greece and Britain to discover his origins and his presence in the modern world, and explore how 'losing oneself' plays a vital role in the development of civilisation.
In this fascinating journey, Bettany begins in Georgia where she discovers evidence of the world's oldest wine production, and the role it may have played in building communities. In Athens she reveals Bacchus's pivotal role in a society where his ecstatic worship was embraced by all classes, and most importantly women. On Cyprus she uncovers startling parallels between Bacchus and Christ. Finally, Bettany follows the god's modern embrace in Nietzsche's philosophy, experimental theatre and the hedonistic hippie movement to conclude that, while this god of ecstasy is worthy of contemporary reconsideration, it is vital to heed the warning of the ancients - "MEDEN AGAN" - nothing in excess.
In this fascinating journey, Bettany begins in Georgia where she discovers evidence of the world's oldest wine production, and the role it may have played in building communities. In Athens she reveals Bacchus's pivotal role in a society where his ecstatic worship was embraced by all classes, and most importantly women. On Cyprus she uncovers startling parallels between Bacchus and Christ. Finally, Bettany follows the god's modern embrace in Nietzsche's philosophy, experimental theatre and the hedonistic hippie movement to conclude that, while this god of ecstasy is worthy of contemporary reconsideration, it is vital to heed the warning of the ancients - "MEDEN AGAN" - nothing in excess.
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louvenY
关于酒神的形象丰满了很多。预期是想了解希腊人崇敬酒神的历史内核,但片中好像只有对事实陈述,没有论述,可能也是纪录片形式所限吧。还是得看书。
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2020年11月22日
mmm1co
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2020年11月22日
东湖废人
酒神的前世今身以及历史各时期酒神文化的兴衰,酒神文化代表了无序,人类在这种无序中解脱出来,释放天性和创造力,但是要保持在边界内陶醉。
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2020年12月27日